Queen's "Good Company" has been stuck in my head for the past three weeks, after I heard it on the radio in my physical therapist's office. I don't think I've ever heard "Good Company" on the radio before. It was not a hit. It is the pleasant but mercifully brief song before "Bohemian Rhapsody" on A Night at the Opera, to which one nodded and smiled, both to acknowledge that Brian May was playing the ukulele and in anticipation of what was coming next.
Although I am quite charmed by the tricky little rhyme of "the girl from number four" with "evermore," this really must stop now.
This is Brian May's fault.
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