Monday, April 09, 2007
Wild Blue Yonder
By which I mean, the 2005 Werner Herzog film. It's gotten mixed reviews; someone called it a "near miss," as I remember. But a "near miss" of what? It doesn't aim to be anything other than itself, found NASA and other footage (including film from below the Antarctic ice shelf) stitched together with a narrative: aliens who came to earth and screwed up their mission. It's inspired and inspiring, and makes all other films look suspect. Why hasn't anyone else managed to make film literally into a symphony?